Pip Hudd


Writing and researching about touch / care / what it means to really see someone. Alongside my creative accomplice, artist Georgia Salmond, I curate and edit Gabble Magazine (art criticism). I fall asleep at night by thinking about garlic gently growing in the soil in my garden.



Writing


‘Review of Pierre Huyghe's "Liminals" at Berghain Halle (LAS Art Foundation), Berlin’ for Hollywood Superstar Review, Feb 2026.


‘Review of Callum Eaton's "What a Shit Show" at Carl Kostyal’ for Hollywood Superstar Review, Jan 2026.


‘Loosening the knot of pasture and pastor’ for Art Review Oxford, July 2025.


'Vocal Flesh: the sinthomatic return of the repressed in M. NourbeSe Philip’s Zong!' in Durham Postgraduate English Journal, May 2025.


‘Temporalities of entanglement in the work of sculptor Zoe Wu’ for Review Magazine, November 2024.


‘Rims’ essay for exhibition at Feelium Gallery, London, November 2024’.


‘A-Repetition’, essay for exhibition at Greatorex Gallery, London, June 2024’.




Editing


gabble Magazine.


DADDY'S MONEY Zine.




Speaking


'Adriana Cavarero’s insistence on life over death' at the Centre for Research on Modern European Philosophy (CRMEP) Graduate Conference on Life and Death, Kingston University, June 2025.


'The Squat as a site of absence' at the London Critical Conference, Birkbeck University, June 2025.




Curation


Gabble Magazine Launch Show at Greatorex Gallery, London, December 2025.


'Bog', group show at Bermondsey Arts Club, London, January 2025.


‘Rims’, Georgia Salmond solo show at Feelium Gallery, London, November 2024.


‘A-Repetition’, duo show at Greatorex Gallery, London, June 2024.